Tuesday, November 2, 2010

Learning through Art: HIV/AIDS in Film--Damaged Goods, Directed by Nadia Buckmire

Learning through Art: HIV/AIDS in Film--Damaged Goods, Directed by Nadia Buckmire

I first met Canadian filmmaker Nadia Buckmire at GMHC, in New York City. She was showing her (then) new documentary called Damaged Goods that offers a powerful reality check for many of us, when it comes to HIV/AIDS.

Over the years I've stayed in touch with Nadia Buckmire and followed her passionate, dedicated and powerful work. Over the years, I've watched her move on to make other documentaries. Here's my Damage Goods review I wrote for A&U Magazine--America's AIDS Magazine.

Hope you'll enjoy the read and check out more of Buckmire's astonishing, touching and powerful work.

As always, thanks for stopping by.

Alina Oswald
Author of Journeys Through Darkness

Damaged Goods
Directed by Nadia Buckmire

Review by Alina Oswald

"Damaged Goods" is educative, as much as it's honest, raw and candid.  Its sense of humor allows us to look at HIV and AIDS in a different way.  Filmed over a period of two years and a half in New York City, Los Angeles, and Tucson, "Damaged Goods" premiered on November 8th, 2003, in New York City, at the New York International Independent Film Festival. 

Nadia Buckmire concentrated the 150 hours of initially footage into a 62-minute documentary packed with most current facts and statistics about HIV and AIDS, "people on the street" opinions, and interviews with leading medical authorities, HIV/AIDS activists, like Craig Miller, founder of AIDS Walk, and shelter workers.  The film concentrates on the latest HIV testing method, "Orasure," and shares the anxiety of six volunteers - testing for HIV for the first time - and also their results, one week later. 

"Damaged Goods" tells the story of five heterosexual men and women living with HIV or AIDS.  Characters represent different age, ethnic, and social groups in our society.  They all share their passions and joys and talk about their fears and challenges of living with the virus.  They talk with honesty about subjects like disclosure and stigma, relationships and lessons learnt.  They all live with a terminal disease - HIV or AIDS, but is this reason enough to consider themselves 'damaged goods'?  Those who do better be 'handled with care.'

Acintia and Mario try to raise their children and see them graduate from high school.  They are both HIV positive.  Their positive attitude about life helps them overcome the "curses" of living with HIV. The virus "doesn't go away," so, they "put it in [their] pocket and live."  Jennifer is a young mother and wife.  She has to live not only with HIV but also with the "stigma" of "being Asian."  Nancy, a Philippine mother with grown-up kids, also talks about the "stigma" of being HIV positive inside Asian communities.  Tom is a 53-year-old rock 'n roll musician who always got everything he wanted in life.  He ended up with something he didn't want - full blown AIDS.  Diagnosed in 1997, he calls AIDS "a blessing" and also "a curse."  It's also his life.  Coming from a "very conservative" New England family, Sharon considers her life "boring" and "ordinary."  Diagnosed in 1995, she refuses to get depressed about being HIV positive.

The film played at GMHC (Gay Men Health Center) in New York City, on December 4th, 2003 and it continues to be distributed in centers and high schools across the country.  "Damaged Goods" is a must-see documentary, especially for those who know little about the reality of living with HIV or AIDS.

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